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You can view the lyrics, alternate interprations and sheet music for David Bowie's Magic Dance at Lyrics.org.
Lyrics
You remind me of the babe (what babe?)
The babe with the power (what power?)
The power of voodoo (who do?)
You do (do what?)
Remind me of the babe
I saw my baby, crying hard as babe could cry
What could I do?
My baby’s love had gone
And left my baby blue
Nobody knew
What kind of magic spell to use
Slime and snails?
Or puppy dog tails?
Thunder or lightning?
Then baby said
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Put that baby’s spell on me
Jump magic, jump (jump magic, jump)
Jump magic, jump (jump magic, jump)
Put that magic jump on me
Slap that baby, make him free
I saw my baby, trying hard as babe could try
What could I do?
My baby’s fun had gone
And left my baby blue
Nobody knew
What kind of magic spell to use
Slime and snails?
Puppy dogs’ tails
Thunder or lightning?
Then baby said
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Put that baby’s spell on me (ooh)
Jump magic, jump (jump magic, jump)
Jump magic, jump (jump magic, jump)
Put that magic jump on me (ooh)
Slap that baby, make him free
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Put that baby’s spell on me
You remind me of the babe (what babe?)
The babe with the power (what power?)
The power of voodoo (who do?)
You do (do what?)
Remind me of the babe
Dance magic, dance, ooh, ooh, ooh
Dance magic
What kind of magic spell to use?
Slime and snails?
Or puppy dog tails?
Thunder or lightning?
Something frightening?
Dance magic, dance
Dance magic, dance
Put that baby spell on me
Jump magic, jump
Jump magic, jump
Put that magic jump on me
Slap that baby, make him free
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Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Jump magic, jump (jump magic, jump)
Jump magic, jump
Put that magic jump on me
Slap that baby
Slap that, slap that baby, make him free
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Within the whimsical realms of ‘Labyrinth’, David Bowie’s ‘Magic Dance’ stands out as not only a film highlight but also an aural artifact of pop culture. Beyond its catchy beat and fantastical lyrics, ‘Magic Dance’ functions as both a narrative device within the movie and a standalone piece of music that transcends its cinematic boundaries.
A labyrinth of sound and meaning, the song embodies much of Bowie’s knack for combining the reflective with the playful. It’s no mere child’s spell; it’s an intricate incantation of themes that strike chords deeper than the surface layers of its apparent joviality.
Behind the Babe: The Lure of Nostalgia and Innocence
‘You remind me of the babe.’ From these opening words, Bowie ushers listeners into a world teeming with childhood reminiscences. The reference to ‘the babe’ carries with it a dual meaning—a nod to the movie’s infant character and an archaic term for an attractive person—mingling innocence with allure.
The song encapsulates the nostalgia of youth, conjuring images of nursery rhymes and their inherent magic. But don’t be misled; there’s a clever subversion at play. Bowie, always the trickster, blurs the lines between adult and childlike perspectives, creating a song that appeals to the whimsy in us all while maintaining an edge of sophistication.
Unveiling the Voodoo: The Song’s Hidden Mystique
The ‘power of voodoo’ that Bowie chants about is, on the surface, an allusion to the fantastical power he wields as Jareth, the Goblin King. However, ‘voodoo’ also symbolizes the inexplicable force music has over us—the way a tune can cast a spell, compel us to dance, and transform our mood as if by magic.
Bowie himself acts as a modern shaman, using ‘Magic Dance’ to channel the chaotic, mesmerizing, and transformative energy of music. The repetitive, chant-like structure of the lyrics forms a kind of mantra that emphasizes the trance-inducing power of song and dance over the human spirit.
Spellbound Rhythms: Bowie’s Sonic Potion
The song’s pulsating beat is more than mere backdrop; it’s an essential component of the spell ‘Magic Dance’ casts. Like the beating of a heart or the thud of a shaman’s drum, the rhythm calls to listeners, urging them to lose themselves in the moment and the movement.
Bowie masterfully mixes rock with elements of electronica, creating a hybrid sound that’s as enchanting as it is danceable. The oscillating tempo captures the fantastical flux of the Labyrinth itself—a place where rules are malleable, and time is a rhythm not bound by the tick of a clock but by the cadence of enchantment.
Slap That Baby, Make Him Free: Memorable Lines and Liberating Laughs
Among the song’s most memorable lines, ‘Slap that baby, make him free,’ stands out for its seemingly nonsensical direction. In the context of the film, it speaks to awakening the baby character from the Goblin King’s spell, yet on a broader scale, it suggests shaking free from whatever binds or dulls us.
It’s this blend of peculiarity and profundity that cements Bowie’s lyrics in the memory of anyone who hears them. The line epitomizes Bowie’s talent for embedding playful language with deeper meanings, serving as a rallying cry for liberation through the joyous abandon of dance.
A Whirl of Whimsy: Dance Magic Dance as Pop Culture Spell
Decades later, ‘Magic Dance’ remains a staple of Bowie’s discography and a cultural touchstone for fans of ‘Labyrinth.’ It’s proof of Bowie’s relentless creativity and his ability to craft songs that are both of and ahead of their time.
The magic Bowie created is potent and enduring—it thrives in the communal experience of those who recite the playful banter of its lyrics and succumb to the call of its beat. Whether through a modern remix or a sing-along viewing of the film, ‘Magic Dance’ continues to conjure a collective enchantment that refuses to wane.
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